3.27.2011

A Life of Radiant Desperation


Men of boys or some reference; Ishmael, or Salinger’s rebel if you prefer (at what age did you read it ‘cause it matters). We are these things. I’m some kind of ignorant infant in a swarm of older boys holding to me to rules of a game I didn’t know I was playing. There’s time on the clock and I have no choice but to run the ball down the field. So sad. I would like to speak to people as they deserve it, but that’s a foul.  I would like to live, or imagine myself to live, without contradicting myself but it’s an obvious prerequisite to get on the field. I can see men on the tv! Men in holes bringing out black gold - sensitive stoicism. I think I can score some points here. We must succumb to the rules of our game. One rule: complete and impenetrable devotion to the ironic duplicity of the game – replacing religious tyranny with democratic ultra violence. Benefit the youth by sacrificing their bodies, and the elders will reflect (and audience is entertained).  The teams’ been on the field a long time and I can hear some string music; just one musician, very small and far away in the distance – this tune is for all the whiners. You never grow up and if you think you did you failed.  Read this – players quit everyday, but not mine. I’m sorry for apologizing for your loss, because I don’t get it, it’s not my loss. I’m sorry for mine when it comes, and you won’t get it. We never will. I’m just getting into the second quarter, and coach hasn’t made his speech yet and I got nothing to go on, so I think the best thing to do is hustle. We play through, and our game gets better or it doesn’t. The field gets bigger and the players faster, but I’m getting help - I’m playing in the ref’s blind spot. 

3.11.2011

Wash your privates twice behind the ears



I hear alot of things. Stories and rumors. The big problem is that it's all good. Every story, no matter how poorly communicated, is worth something. Granted the better the storyteller the greater the impact/meaning/effect of the story - we get this. I find that my taste inhibits me, more often than not, from taking in a good story. I'm too concerned with the effect of the communicator; his/her presence and theater. Homer could tell you a shit parable and you'll listen, Jerry down the street could express the great American epic and you won't hear him. Jerry is a crap storyteller. But Jerry's story might be pretty good. I have to feel for Jerry. It's not his fault that he can't speak for himself, but it's just that I want to hear something with some character, give it to me good. Jerry has things to say, but he's so dumb it doesn't work. That's what frightens me. We'll gather for our storytellers. If you tell it, people will listen. Right now thirteen year-old white boys have captured our attention. I'm so scared - and my cave isn't dark enough to block out this sound. 

3.04.2011

Things to meet in a Room



Jerry wore a cowboy hat. Beneath that a patrolman's cap, tuxedo jacket, brown paisley belt, checkered slacks and a black pair of hushpuppies. Susie wore ribbons. A pink tee shirt with "Male Gaze" in black block lettering printed across the chest, cut off jeans and two mismatched flip-flops. They had left their sunglasses at home. Every piece of fashion carried meaning, signs for others to read, and for Jerry and Susie the pieces added up significantly. Problem - fashion's capital is trend, and the TV broke so they got nothing to go on. Blair wears no hair. White cotton ties over yellow dress shirts, balloon pants and well-kept boots. Susie goes home with Blair, not because Blair has any greater quality than Jerry, but because Jerry wore black shoes and a brown belt without irony. Susie doesn't need the TV to tell her to trust her instinct - she got out as fast as she could.  Jerry has since fixed the TV and Susie and Blair moved in together - they got the last cold water flat in the city.